Summer 93' feel the heat!

This image was used large posters in Swimwear and "Body" stores around Australia.

Body clothing Campaign.

images © Ian Golding photography

Hair and make up Liz Golding

Frequent Flyer Points.

1993 I spent my days flying back and forth from home to Sydney. Clocking up those points.....

Coffee Shop campaign on postcards

image by Kenji Maeji

Styling images for Sharon Parker 

Test Sydney '93

Models Inc..... continued

Lesson #2 Booker: "Macushla, you're not wrapped up in cotton wool anymore!"

Me: *sob sob*a hard and fast reality check. I was out in the big wide world and had to grow up quickly. Living away home, the jobs were coming in and it was getting serious and a little competitive, time to get "modelling" Cush.

 Girlfriend Magazine

Australian Collections Magazine

Models Inc.

 I moved into Vauclause model house in Sydney, the day after schoolies week. Models inc. was a large white Grecian style home. Many of these rooms were rented to young models from all over the world.

My most fond memories of my days staying there are;

 $2.80 Lambrusco bottles of wine, bus rides to castings all over town, my first magazine editorials & reading "Interview with a Vampire."

Dolly magazine Advertorial

Photography by Carlotta Moye

Lesson #1 do not drink cheap bottles of wine the night before a shoot.

Surfers and Swimwear

City Beach Surf Pro video 92'

footage by David Tomasello

music by Def FX

Wild Swimwear Campaign

No news is bad news.

Sunday  Mail Style section.Each month throughout the year, I was booked for the newspaper style section. This paper was released at 12pm on Saturday nights, most of the time I stayed up late so I could collect the new- fresh copies from my local 7 Eleven.   

Macushla Burke & Kate Lilliecrapp

Some things never change!Loved this one. 

 I still have and occassionally wear the Harley belt.

Modeling buddies and "partners in crime"

sometimes I really got into it!

Stick'n it to Santa Claus.

Retouching??

* Please note all images are taken on film cameras. This meant we had to wait for polariods to develop  before commencing to shoot, there was no retouching faces, eye colours, lip shapes or skin tones. Models had to be fit and healthy, no liquify to make someone look thinner. All shoots took time and it was very important that the team were well versed in their craft.

Images by Ian Golding

Hair and make up by Liz Golding